Tuesday 10 December 2013

Mann's The Magic Mountain (1924)

Have you ever visited a relative in a convalescent home and ended up falling ill yourself and staying there for years? Nor have I, but that is the backdrop to Thomas Mann’s novel.

Typically for Mann, it is a novel of ideas rather than sensations. Mann writes characters. These characters represent ideas, and between them they battle for the ‘problem child’s’ soul, the young hero Hans Castorp. A matrix to assist you:


Settembrini
Naphta
Peeperkorn
Speech
Loquacious
Acerbic
Rambling
Taste
Thrifty
Luxurious
Munificent
Political eschatology
World republic
Roman Catholic world-state
Apolitical
Spiritual allegiance
Freemasonry
Society of Jesus
No allegiance
Century
19th century
Medieval
Contemporary (post-WWI)
Political system
Nation state
Spiritual communism
N/A
Nietzschean symbol
Apollo
Dionysus (Chandala)
Dionysus (aristocratic)

Clavdia Chauchat I exclude because she doesn’t represent what is for Castorp an ideal, even though symbolically she represents lust to the reader - lust for the exotic, boorish, energetic East. So too Castorp’s cousin, who represents duty, something which never tempts our protagonist.

Castorp's choice between antagonists? He doesn't really choose. Overall result of the novel: a loose baggy monster.


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