Thursday, 26 April 2012

Famous historical fights: Gramsci vs. Il Duce

With the Murdochs back in the news againhegemony springs to mind, and with it the genesis of the idea.

Gramsci developed Marx and Engels’s theory of the economic superstructure, introducing the concept of hegemony into the general lexicon, and got locked up by the Duce for his troubles.
  

VS.



In brief - too, too brief - the theory goes: all aspects of life are determined materially (Marx & Engels, Die Deutsche Ideologie) which is the economic superstructure (Preface to a Contribution to a Critique of Political Economy), the controlling class of which employs the dissemination of information and judgments about values which justify and retrench that superstructure in terms of its desires (Gramsci, Prison Writings). The family – that is a bourgeois lie which produces new workers. The state – that is a bourgeois weapon to organise against the proles. Art – reflects the bourgeois lifestyle and the economic realities underpinning the apparently universal, objective ideals of Enlightenment.

According to Spengler’s history, the question of free will is the fundamental, sacrosanct dilemma of the Western ideology. Perhaps that is why Marxist determinism failed – fundamental inability to stomach the notion that all aspects of living are determined by the capitalist net. That, and the incessant obsession with revolution for its own sake (valorised in ’68; transformed in ’89 by the anti-Communist/ pro-capitalist revolutions across the Eastern Bloc). And the stupidity of the world envisaged by Marx post-revolution. Seven billion people ‘fishing, hunting and criticising art’ in a harmonious world beyond laws? Get real.

Is it a case of mistaking incidental consequences for deliberate entrapment by ideology? The proliferation of media can be seen as a direct and intentional consequence of 1. The capitalist’s desire for profit; or 2. The capitalist’s desire to fragment the desires of the working/ all classes – and I think the heterodox approach, including all classes in the critique of capitalism works better and sounds less like something from before the Modern Second Peloponnesian War – in order to water down resistance to the capitalist model of political economy. Doesn’t 1 logically precede 2? Hasn’t it been shown abundantly that ideologically-inspired adjustments to the economy will fail, and that the market determines itself?

Don’t get us wrong, Burning Pyre deplores the reductionism of our managerial capitalism, which sees life narrowly as the pursuit of economic interests, but we cannot imply that the ideology precedes the reality. Spirit/ Mind adjusts to material circumstances, Hegel taught. The making of money precedes the desire to make people think that they can only be happy by pursuing the ideology that making more money makes happy.

Hegel über Marxismus!* Duce oltre Gramsci!

On the other hand, we are perfectly willing to accept that something akin to Stockholm Syndrome prevents people from criticising the economic form of capitalism. How much harder is your job if you disagree with the principles on which it is founded, the incentive mechanisms used to ‘gee’ it along, and the organisational structures which are set up by the coal face, so to speak? Cognitive dissonance indeed.

So the Murdochs advance number 1 – making money – whilst influencing minds to their own agenda, which is not necessarily the capitalist one, other than by incidence. Propasphere is a much more accurate term to describe the illusion of objectivity under limited-consensus mass media.
 
*This tete-a-tete draws us into a debate about to what degree Hegel is the herald of liberal democratic capitalism of the Kojéve-Fukuyama variety.

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